Tag Archives: boston

Link Roundup! – 1/29/16

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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The 2011 edition of Boston’s annual Santa Speedo Run. (REUTERS/Brian Snyder)

Boston has plans to make the city more fun via the Late Night Task Force, as reported by The Atlantic’s CityLab:

Good times are good for good’s sake, but there’s a powerful economic argument behind the mayor’s push, too. An example: a report from the San Francisco Office of the Controller found that nightlife generated $4.2 billion in spending in 2010. Though most of the people who enjoy that city’s restaurants, bars, and music venues are local, more than half of that $4.2 billion comes from visitors’ wallets. A 2004 report commissioned by the New York Nightlife Association found that clubs and bars alone generate $9.7 billion annually for the city. The research data firm IBISWorld estimates that American bars and nightclubs took in $26 billion in 2015. Good times are also big business.

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American Theatre has a story about playwrights working for TV and film:

For the bulk of my life, “TV writer” has been a gentle euphemism for “failed playwright.” A serious theatre person would barely admit to having a television, much less watching one. Those days are long gone. Now if you tell people that you haven’t seen “Breaking Bad” or “Mad Men,” it’s a kind of moral failing, an indication of poor character. Not watching the right television has become the mark of the philistine. And TV has largely claimed the center of popular culture, supplanting even film. If you go out on the street right now and ask people what movie they think should win the Oscar, you’re likely to get shrugs and vacant stares. Ask them what happened to Jon Snow on “Game of Thrones” or what the ending of “Mad Men” meant, and you’ll get a discourse on Internet conspiracy theories, spoilers, and deceptive camera angles. Ask them what will win the Tony and—well, they’ll probably say Hamilton. It’s the only Broadway show everyone knows about.

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Link Roundup! – 11/20/15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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The Duchess of Malfi with Erika Miranda and Jalen Gilbert. Photo by Michael Brosilow

In HowlRound, Lavina Jadhwani examines what it means to be a color conscious director:

Since I first wrote about color-conscious casting, I’ve learned—by directing my own productions as well as casting plays that I did not direct—that color-conscious casting doesn’t guarantee a color-conscious production. Diverse casting is a cause; a more challenging and/or inclusive conversation is not inherently an effect.

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Boston Magazine continues the coverage of Boston’s arts space issues, with a particularly pointed look at Mayor Walsh’s participation in finding solutions:

Compare Walsh’s response with what happened in 2003, when the city faced another crisis in the Theater District. Back then, the Wang Center for the Performing Arts—now the Citi Performing Arts Center, the same one Citi is pulling out of—summarily booted the Boston Ballet’s beloved production of The Nutcracker to make room for a carpetbagging production of New York’s Rockettes in the Radio City Christmas Spectacular. The next morning, Mayor Thomas Menino was on the phone trying to secure the Hynes Convention Center as a new home for the ballet. (Thankfully, that never happened—right sentiment, absolutely wrong venue.) Menino worked behind the scenes for months to seal a deal for the ballet, which leased the newly restored Boston Opera House at affordable rates and eventually took its toe shoes and tutus there for its entire season.

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Link Roundup! – 11/13/15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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Roxane Gay’s post in The New Republic does a good job detailing the recent student activism at Mizzou and Yale, as well as detailing the larger cultural forces behind the protests:

There is often condescension in examinations of these supposedly fragile young people who don’t understand the real world. College students do, however, understand the real world, because they aren’t just students: They do not abandon their class background or sexuality or race or ethnicity when they matriculate, and their issues do not vanish when they register for courses. We should not dismiss their valid concerns. To do so, to invalidate their experiences, would be to invalidate their diversity and ignore their hurt. American colleges and universities have always been incubators for the privileged, and the only people who continue to operate there with some guarantee of physical and emotional safety are white, heterosexual men. Is it any wonder, then, that students are demanding a basic guarantee of safety?

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WGBH Open Studio will be airing an episode tonight specifically about the recent changes in the Boston theatre landscape related to lack of space and resources. You can check out a preview HERE, and tune in at 8:30pm to catch the rest.

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Link Roundup! – 10/17/15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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The Colonial Theatre, BU Theatre and the Shubert Theatre. (Blng/Flickr, BU Today, Citi Performing Arts Center)

The ARTery’s Ed Siegel has a good breakdown of the recent space shake-up in Boston:

Although every situation is different, Walsh needs to step into Menino’s shoes and make sure that the energy and commitment that Menino put in place is not diminished. This is more than a matter of helping large institutions. Without the Huntington’s stewardship of the Calderwood, the SpeakEasy Stage Company would not have grown from a small theater to such an important midsize one. Company One Theatre would probably not have grown from the fringe to one of the best theaters in Boston. As Jane Chu, chairman of the National Endowment for the Arts, the Boston Foundation’s Paul Grogan and the Barr Foundation’s James Canales have said, there is an ecology to an arts scene. And the health of large institutions is important to small ones as well.

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Playwright Annie Baker (THE FLICK, THE ALIENS) joined Mark Maron on his WTF podcast this week to talk about her writing process and the state of the American theatre. It’s a great listen — check it out!

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Link Roundup! – 5/8/15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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A 60-foot community mural was created outside of the Prudential Center on Memorial Day last year. Photo: Globe file

The Boston Globe recently highlighted some national trends in city development and looked at how arts and culture can be integrated into the development happening in Boston:

More cities have undertaken cultural planning to shape a coherent approach to advancing the arts. Cultural planning looks different in each place, as it should. Yet, when we consider the cities where cultural planning has been most effective, we consistently find an ambitious, inclusive, communitywide effort to develop a shared vision and blueprint for arts and culture — one that prioritizes, coordinates, and aligns public and private resources to strengthen cultural vitality long term.

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Create Equity looked at the barriers that prevent people from participating in cultural and artistic activities if they are from lower socioeconomic and educational backgrounds:

Data from the survey shows that fewer low-income individuals attend pop and rock concerts than their wealthier counterparts, and significantly fewer of them attend visual arts festivals and craft fairs. In fact, people with lower incomes and less education are less likely to read books, go to the movies, take an arts class, play a musical instrument, sing, dance socially, take or edit photographs, paint, make scrapbooks, engage in creative writing, or make crafts. All told, the data paints a consistent portrait of lower participation by low-SES adults in a breathtaking range of visual, performing, literary, and film activities…When large numbers of people face barriers to participating in the arts in the way they might want to, we know that we’re missing opportunities to improve people’s lives in concrete and meaningful ways.

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Link Roundup! – 4/10//15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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Boston Mayor Martin J. Walsh. (Jeremiah Robinson/mayor’s office)

The WBUR ARTery featured this week’s presentation of the cities new cultural plan, Boston Creates, announced by Mayor Walsh and Julie Burros:

Boston Creates, or #BostonCreates, is the umbrella title for a 10-year plan to provide resources for the creative community, while engaging — and challenging — artists and audiences to articulate priorities for how those resources should be spent.

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The cast of How to Get Away With Murder. Photo by ABC Studios.

Slate writer Aisha Harris spoke to several film and television actors of color about their experience during the recent “diversity boom” in Hollywood:

There’s also the question of what diversity actually means to casting directors. Wise characterizes the goal as “digestible diversity,” or a certain type of non-white look: Asian actors with typically American or European features (like freckles, she suggests); black women with a lighter skin complexion. You’ll go into an “all ethnicities” casting call, she tells me, and “without fail, you’ll wonder who got that [part], and it’ll be someone German (whose father is kind of half-black).” This perspective seems to have borne itself out in at least one particularly notable—and racist—casting call for the upcoming N.W.A. biopic Straight Outta Compton, which made headlines last year. In it, sought-after women were, whether intentionally or not, ranked in groups from “A” to “D” by race, class, and skin tone. (Group B, for instance, consisted of “fine girls,” who “should be light-skinned.” Group D, on the other hand, was listed as “African American girls. Poor, not in good shape. Medium to dark skin tone.”)

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Link Roundup! – 4/3/15

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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Shaun Blugh, 30, has been appointed the City of Boston’s first-ever chief diversity officer. Photo: Suzanne Kreiter/Globe staff

The Boston Globe has a story about the mayor’s new Office of Diversity and their efforts to make Boston workforces more equitable:

A glimpse at the city’s roughly 15,000 full-time employees underscores their challenge. In a city in which people of color constitute 53 percent of the population, Boston’s municipal workforce remains 61 percent white, according to records released to the Globe under the state’s open records law. Women slightly outnumber men at City Hall, but on average are paid 7 percent less than their male counterparts.

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The Non Profit with Balls blog has a post up about “Fakequity” — a term he coined for organizations that claim to be interested in creating equity, but don’t participate in active change:

So how does this apply to Equity? People seem to think that forming an equity committee, talking about equity, sending staff and board to trainings, “listening” to communities, conducting research and gathering data, and adding terminologies to websites and brochures are sufficient to achieving equity. But no, these things are necessary, but not sufficient. When we just talk about Equity and go no further, we are guilty of Fakequity. I’ve seen many well-meaning organizations and foundations spend years talking about equity, congratulate themselves on it, and don’t do anything else that would actually help to bring about Equity.

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WBUR: Report Shines New Light On Boston’s Inequality

In a study done by the Brookings Institution, it finds that Boston has the 4th highest rich-to-poor income ratio in the country after Atlanta, San Francisco, and Miami. Read the report here.