Tag Archives: city planning

Link Roundup! – 7/22/16

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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Jones and DeGroat: “What’s RACE got to do with it?” Photo: Peter Irby

Jones and DeGroat: “What’s RACE got to do with it?” Photo: Peter Irby

Oregon Artswatch reports on a conversation about race and the arts held at Imago Theatre earlier this month:

The event was a conversation called “What’s RACE Got To Do With It?,” produced by the group The Color of NOW and hosted by Third Rail Repertory Theatre, which shares the Imago space. Part performance, part talk show and part back-and-forth with the audience, it included a monologue to an unborn child – a child who, given the state of the world and its racial volatility, would remain unborn, an idea derailed – by actor Joseph Gibson, and a little music from Ben Graves, and a long conversation about the nitty gritty of race in America and Oregon in particular with the actor, director, and activist Kevin Jones, artistic director of the August Wilson Red Door Project, an organization whose ambitious goal is to “change the racial ecology of Portland through the arts.” It’s a tall order, given the ratcheting of racial tensions across the nation and much of the rest of the world in recent times.

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Boston Globe has a feature about the city’s redevelopment efforts and how the arts are included in those plans:

First came Boston Creates, now comes Futurecity Massachusetts, a joint project of the Massachusetts Cultural Council and the Boston Foundation that seeks to place arts and culture at the heart of redevelopment and revitalization efforts in the state’s three largest cities. The partnership, which is working with consultant Mark Davy’s London-based Futurecity, will focus on real estate projects in Boston’s Fenway Cultural District, the Springfield Central Cultural District, and Worcester’s Salisbury Cultural District.

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Link Roundup! – 6/17/16

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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Onlookers watch as the ZUMIX drum group of East Boston kicks off the third "town hall" forum in the Boston Creates planning process. (Jeremy D. Goodwin for WBUR)

Onlookers watch as the ZUMIX drum group of East Boston kicks off the third “town hall” forum in the Boston Creates planning process. (Jeremy D. Goodwin for WBUR)

The ARTery reports on the policy announcements surrounding the new cultural plan, which is being released today:

In what City Hall is billing as a major policy speech, Boston Mayor Marty Walsh was set to announce on Friday a series of initiatives aimed at bolstering the city’s arts scene.

In line with the recommendations of a newly minted master plan for the arts ecosphere, the measures include city-led efforts as well as partnerships with philanthropies, area museums and other outside groups. In some cases, specific dollar contributions are promised; in others, organizations are pledging in-kind donations in the form of facility space or professional expertise.

Included is a new grant-making program aimed at small arts organizations, with funds earmarked for the creation of new work.

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The Conversation examines the dialogue about diversity that surrounded this year’s Tony Awards:

It’s not clear whether the diversity represented in this season’s Tony Awards is a flash in the pan or a positive sign of things to come. It isn’t the first season to feature a number of diverse actors and casts. The 1996 Tony Award season included August Wilson’s “Seven Guitars,” the musical “Rent” and George C. Wolfe’s black history musical “Bring in ‘da Noise, Bring in ‘da Funk.”

The next season, however, featured predominantly white shows: “A Doll’s House,” “Chicago,” “Titanic” and a Broadway revival of “The Gin Game.” Thus, without structural changes, this unusually diverse Broadway season is unlikely to continue. In fact, much of the diversity being touted is simply tied to one group, African-Americans. A closer look at the data shows that the diversity needle has actually regressed.

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Link Roundup! – 1/29/16

Link Roundups feature articles and bits of internet goodness that our dramaturgy team digs up. If you find something you want to send our way, drop us a line on Facebook or Twitter!

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The 2011 edition of Boston's annual Santa Speedo Run. (REUTERS/Brian Snyder)

The 2011 edition of Boston’s annual Santa Speedo Run. (REUTERS/Brian Snyder)

Boston has plans to make the city more fun via the Late Night Task Force, as reported by The Atlantic’s CityLab:

Good times are good for good’s sake, but there’s a powerful economic argument behind the mayor’s push, too. An example: a report from the San Francisco Office of the Controller found that nightlife generated $4.2 billion in spending in 2010. Though most of the people who enjoy that city’s restaurants, bars, and music venues are local, more than half of that $4.2 billion comes from visitors’ wallets. A 2004 report commissioned by the New York Nightlife Association found that clubs and bars alone generate $9.7 billion annually for the city. The research data firm IBISWorld estimates that American bars and nightclubs took in $26 billion in 2015. Good times are also big business.

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American Theatre has a story about playwrights working for TV and film:

For the bulk of my life, “TV writer” has been a gentle euphemism for “failed playwright.” A serious theatre person would barely admit to having a television, much less watching one. Those days are long gone. Now if you tell people that you haven’t seen “Breaking Bad” or “Mad Men,” it’s a kind of moral failing, an indication of poor character. Not watching the right television has become the mark of the philistine. And TV has largely claimed the center of popular culture, supplanting even film. If you go out on the street right now and ask people what movie they think should win the Oscar, you’re likely to get shrugs and vacant stares. Ask them what happened to Jon Snow on “Game of Thrones” or what the ending of “Mad Men” meant, and you’ll get a discourse on Internet conspiracy theories, spoilers, and deceptive camera angles. Ask them what will win the Tony and—well, they’ll probably say Hamilton. It’s the only Broadway show everyone knows about.

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