Staff chat posts feature articles and news that the C1 team discusses as part of our weekly all-staff meeting. We’d love to hear your thoughts too — hit us up on Facebook or Twitter!
Believe it or not, the C1 team is already gearing up for our upcoming summer show, COLOSSAL by Andrew Hinderaker! To prep for our early conversations about the play, we’ve been looking for resources about accessibility. It’s important for all of us to feel comfortable with the language we’re using as we head into the audition, workshop, and production process for the play. This week, the staff is looking at a few articles and tips for interacting with people with physical disabilities:
One thing that’s key is making sure you’re using person-first language — language that puts the focus on the individual, rather than on a disability. Here’s a helpful chart!
As Zachary Fenell, the author of this article from Huffington Post writes:
No matter the word you use, aim to showcase the person. Ideally a person’s name will always come before his or her condition. So I’m Zachary Fenell, an author with cerebral palsy. Not, an author with cerebral palsy, Zachary Fenell. Introducing name first, condition second will maintain a person-first narrative.
Margaret Keller (l), executive director of Community Access to the Arts, applauds along with teachers and students after a poetry reading in Pittsfield, Mass. last July. CATA provides access to visual and performance arts to people with disabilities
Staff Chat posts feature articles and news that the C1 team discusses as part of our weekly all-staff meeting. We’d love to hear your thoughts, too — hit us up here in the comments, or on Facebook and Twitter!
While C1 was busy opening our Displaced Hindu Gods Trilogy by Aditi Kapil over the past few weeks, some exciting announcements about the state of Boston’s cultural community were released. The staff is reading a few articles this week to catch up on the news – check out the links below:
“Seven Moon Junction” by Shinique Smith, the Greenway Wall in Dewey Square
We’ve been researching a metric ton of literature on community/arts partnerships for the last few weeks, and we think we’ve finally found some good material.
Here are two reports.
The first one is called Arts & Non-Arts Partnerships: Opportunities, Challenges, and Strategies.
– Mutual Benefits of Community Partnerships
– The Connections of Non-arts Organizations to the Arts
– Partnership Assets Can Also Be Liabilities
– Understanding the Risks
– Types of Partnership Risks
The second item is Partnership as an Art Form: What Works and What Doesn’t in Nonprofit Arts Partnerships. We recommend in particular the section called “Part I: How to Think About Partnerships,” and can be found on numbered pages 9-12 (pages 10-13 of the pdf file).
These readings provide some background to the how and why of arts & community partnerships, and can lend guidance on how theatres might think about possible collaborations for individual plays, or season initiatives.
In this essay on HowlRound by A. Nora Long, associate artistic director of Lyric Stage Company, she talks about how the world thrives when art and culture are given importance and the consequences of treating art as a “hobby” instead of a job with “prestige” and financial benefits. Read her essay here.