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Bio coming soon!

Bio coming soon!

Bio coming soon!

Bio coming soon!

Bio coming soon!

Bio coming soon!

Gaven D. Trinidad is a first-generation Filipinx American dramaturg, playwright, director, and educator from NYC. Their artistic work explores the intersections of race, language, immigration, queerness, ritual, community, and futurity. They have collaborated in artistic and administrative roles at New York Theatre Workshop, The Juilliard Drama Division, Ma-Yi Theatre Company, Jacob’s Pillow Dance Festival, National Queer Theater, Breaking the Binary, and more. Selected plays: Learning How to Read by Moonlight (BAPF Finalist 2021), novena (Eugene O’Neill Playwrights Conference Semi-Finalist 2024). Selected dramaturgy credits: The Duat (Philadelphia Theatre Company, PlayPenn), PreP Play, or Blue Parachute (National Queer Theater, NCTC), June is the First Fall (Yangtze Repertory Theatre), Collidescope 2.0 (Ping Chong + Company). Selected directing credits: Joker (National Queer Theater), Are You There Truman? (Pride Plays, Rattlestick Playwrights Theater, The Parsnip Ship, Leviathan Lab), Sa Aming Puso (Global Forms Theatre Festival, Rattlestick Playwrights Theater, New York Theatre Salon). Gaven holds a B.A. in American Studies from Dickinson College and an M.F.A. in Dramaturgy from UMass Amherst. They were named a 2021 Rising Leader of Color by Theatre Communications Group. Playwriting Groups/Fellowships: Orchard Project Greenhouse Lab, Ma-Yi Writers Lab. As someone living with bipolar disorder, Gaven is a passionate advocate for mental health awareness. In these challenging times, they encourage folks to support organizations like Palestine Children’s Relief Fund, United We Dream, and Make the Road NY. www.gaventrinidadtheatre.com

Natsu Onoda Power specializes in adapting texts into new works of visual theatre, using techniques of comics/graphic novels, animation, and kamishibai (Japanese paper-placard storytelling form). Original works include Postcards from Ihatov (1StStage Tysons), Thumbelina (Imagination Stage), The Lathe of Heaven (Spooky Action Theater, Helen Hayes Awards for Best New Adaptation and Best Scenic Design), The T Party (writer/ director, Forum Theatre/ Company One), Astro Boy and the God of Comics (writer/ director, The Studio Theatre; Company One Theatre; Elliot Norton Award for Outstanding Director and Outstanding Production Design). Favorite directing credits include Qui Nguyen’s Vietgone (The Studio Theater), David Henry Hwang’s Yellow Face (Theatre J) and Mary Zimmerman’s The White Snake (Baltimore Center Stage), and the world premiere of Tennessee Williams’s lost play The Lady from the Village of Falling Flowers at Provincetown Tennessee Williams Festival.

Natsu holds a Ph.D. in Performance Studies from Northwestern University, and is the author of God of Comics: Osamu Tezuka and the Creation of Post World War II Manga (The University Press of Mississippi, 2009).

Michelle M. Aguillon has directed, acted, designed, and produced in the Boston area for over 25 years. She is thrilled to be collaborating with the Learning How to Read by Moonlight production team and ensemble. Michelle has worked with Plays in Place, Footlight Club, Hope Rep Company, The Umbrella Stage Company, Chuang Stage, Company One, Central Square Theater, Emerson College, and Theater Uncorked, among others. Directing credits include The Kittie Knox Plays, Yellow Face, Natural Shocks, Middleton Heights (World Premiere), Dracula – A Feminist Revenge Fantasy, Fences, The Joy Luck Club, Disgraced, Passion, Augusta and Noble, Vietgone, and Proof,  among others. Michelle is a playwright/producer/director for the Annual Asian-American Playwright Collective Annual Play Festivals (2020-2025). Michelle is the Executive Director at the Creative Arts School in Reading. She studied acting and theatre at San Francisco State University and the National Theater of London.

Bio coming soon!

Bio coming soon!

Bio coming soon!

Bio coming soon!

Anna Drummond is a Boston-based sound designer specializing in live theatre and SFX curation for professional theatre companies and educational institutions. Credits Include: Front Porch Arts Collective – Chicken & Biscuits; The Huntington – K-I-S-S-I-N-G (Elliot Norton Award) and Dream Boston: 3 Miles; SpeakEasy Stage – BLKS and Pass Over; Company One (C1) – Leftovers, Black Super Hero Magic Mama, and can i touch it?; Fresh Ink Theatre – Shrike and Truth or Consequences; Trinity Repertory Company/Brown University – Eurydice, Prowess, soul tapes, and The Book of Lucy; Harvard University – Married or Made, Cells; Boston Conservatory at Berklee – Everybody, Machinal, and As You Like It; Northeastern University – Deferred, This Is Treatment, Problem Play, and Sisterhood of the Survivors; Emerson College – Paris. Anna holds a BA with Honors in Sound Design/Audio Post-Production from the Visual & Media Arts Department of Emerson College. Love to Dyl, Eleanor, Jeremy, and the Bad Luck Crew for everything, always.

Kelly Smith is a multi-hyphenate artist with a new work focus, having ushered in over 30 world premieres in New England. Selected credits include: Props: Company One/A.R.T. (GREATER GOOD, VIETGONE), Commonwealth Shakespeare Company (MUCH ADO ABOUT NOTHING), Hub Theatre (WIT), Fresh Ink (SHRIKE, THAT TIME THE HOUSE BURNED DOWN), Legion Theatre Project (BREAK BREAK), Titanic Theatre, Sleeping Weazel, PF Pictures, and Brown Box among others. Writing: RESET, THE WHITE ROOM (Flat Earth Theatre), RAINING ALUMINUM (theatreKapow – Best Drama Finalist, NH Theatre Awards), ShotzBoston, StoryClub Boston, 1MPF, and others. Directing: Second Act Prod. (SISTER ANONYMOUS), Hub Theatre (ROBYN IS HAPPY), AKA Theatre (IN THE FOREST, SHE GREW FANGS), and shorts for Playbill Virtual Theatre Festival, Open Theatre Project, Boston Theatre Marathon, and 1MPF. In addition to stage managing all over, Kelly produced the raucous Irish backroom bar series Solas Nua, the heartwarming Grownup Storytime at Aeronaut Brewery, and founded Also Known As Theatre Theatre. www.kellyesmith.com `

Grace Kroeger is a Minnesota born, new to Boston engineer and designer in both audio and video. She earned her BA in German and Theater: Design & Technology at the University of Minnesota: Twin Cities. Their favorite aspects of theater are the puzzle of putting complicated systems together, creating system schematics, and (most importantly) programming within QLab.

Recent credits include – Projections Technician: Interrobangers, Company One. Video Programmer: La Voix Humaine, Des Moines Metro Opera; A Thousand Acres, Des Moines Metro Opera. Video Engineer, La Voix Humaine, Des Moines Metro Opera. Assistant Video Designer: Interstate, Mixed Blood Theater; Hometown to the World, Town Hall.