Tara Moses is a citizen of Seminole Nation of Oklahoma, Mvskoke, director, award-winning playwright, Producing Artistic Director of telatúlsa, co-Artistic Director of Red Eagle Soaring, and co-Founder of Groundwater Arts. Most recently, her work as a director has been seen with American Indian Community House (New York, NY); Arena Stage (Washington, D.C.); Yale Indigenous Performing Arts Program (New Haven, CT); Safe Harbors Indigenous Collective (New York, NY); telatúlsa (Tulsa, OK); Oklahoma Indigenous Theatre Company (Edmond, OK); Serenbe Playhouse (Chattahoochee Hills, GA); and Amerinda (New York, NY). She is a Participant in New York Stage and Film’s inaugural NYSAF NEXUS project (2021); a Cultural Capital Fellow with First Peoples Fund (2020); fellow with the Intercultural Leadership Institute (18/19); member of DirectorsLabChicago (2018); member of the Directors Lab at Lincoln Center (2017); recipient of the Thomas C. Fichandler Award (2016); alum of the Allen Lee Hughes Fellowship (2015-2017); associate member of the Stage Directors and Choreographers Society; and Dramatists Guild member. She holds a BA in Theatre from the University of Tulsa, and is an MFA Directing Candidate at Brown University/Trinity Rep. She is currently based on the Muscogee Creek Reservation.

Quita Sullivan (Montaukett/Shinnecock) (Kee-tah Suh-lih-ven) is Senior Program Director for Theater where nákum directs the National Theater Project. They hold Bachelor and Master of Arts degrees in Theatre from Knox College and SUNY Stony Brook, respectively, as well as a Juris Doctorate from Wayne State University Law School. Before law school, nákum worked as a Stage Manager at ETA in Chicago and was the first stage manager for ETA’s production of Checkmates by Ron Milner, directed by Woodie King, Jr. They later worked at Great Lakes Performing Artist Associates, a not-for-profit artist management office, creating contracts and managing booking and performing fees for musicians in the Great Lakes area. After law school, they practiced Environmental Justice law for 10 years in Detroit and Boston. Quita is a Senior Fellow of the Environmental Leadership Program, and a 2016 alum of the artEquity Facilitator Training. They are also a former Associated Grant Makers Diversity Fellow, the mission of which was to identify, recruit and cultivate emerging practitioners of color who represent the next generation of philanthropic leaders and offer them training, support and strong community.Quita is chair of the Grantmakers in the Arts Board of Directors Audit Committee and a member of the Trustee Committee, a Steering Committee member of Western Arts Alliance’s Advancing Indigenous Performance program, and a frequent speaker on supporting Indigenous Artists and Racial Equity.  Nákum continues to work to support equity at all levels of theater and grant making. Prior to joining NEFA as a staff member, Quita was an Advisor for NEFA’s Native Arts Program. Outside of work, they continue to develop their own artistic talents as a beadwork artist. Nákum is part of a group of community language researchers working to restore Long Island Algonquin to spoken language status, as well as a learner of their language. Quita has achieved the rank of Shodan (first degree) in Ueichi Ryu karate.