- Mark Abby VanDerzee
- Jessie Baxter
Connectivity Manager & Dramaturg
- Zahra Belyea
Stage One Teacher
- Kadahj Bennett
Stage One Teacher
- Natasha Bonfield
Street Team College Coordinator
- Ilana M. Brownstein
Director of New Work
- Sarah Cohan
- Francisca Da Silveira
Dramaturg & Literary Fellow
- Beverly Diaz
Assistant to the Artistic Director
- Pascale Florestal
Education Program Manager
- Haley Fluke
- Josh Glenn-Kayden
- Kirsten Greenidge
- Susanna Jackson
Marketing & Communications Manager
- Obehi Janice
TCG Fox Foundation Resident Actor
- Shawn LaCount
- Karen McConarty
- James Milord
Stage One Teacher
- Corianna Moffatt
- Lynn Mullin
Stage One Teacher
- Anneke Reich
Stage One Teacher
- Nivedita (Nina) Sarnath
- Sarah Shampnois
- Hayley Spivey
Dramaturg & Connectivity Fellow
- Karthik Subramanian
- Summer L. Williams
Director of Public Relations
- Georgia Young
Mark Abby VanDerzee
Mark, a co-founder of Company One, attended Clark University where he received his B.A. in Theatre Performance and dual certification in Elementary Education and K-12 Performing Arts, and received his MA Ed. in Curriculum and Instruction from the University of Phoenix. Stage One, Company One's dramatic education program, is under Mark's helm, and over the past fourteen years, he has developed the curriculum for several different branches of the program: a Stage One summer camp, a series of intensive after-school theatre courses, an educational tour of ARTiculation, and short-term artist residencies. Currently, Company One runs four educational programs: Stage One: In School (a year-long artistic residency in five Boston Public High Schools), Stage One: Production Apprenticeships (a workforce development program providing teens with skills to bring to their chosen profession), Stage One: Professional Development for Actors (a series of 8 week classes designed to challenge and support developing artists), and Stage One: Curricular Connections (a free online curriculum guide presented with every show in Company One's season). Under Mark's guidance, Company One's Stage One program has now begun to educate people from the ages of 4 to 40 (and beyond) with quality artistic programming. Mark began his public school teaching career in the Worcester Public Schools, and currently teaches Technical Theater, Design for the Stage, Drama 1, and Advanced Improvisation at Brookline High School. Proudly, Mark is also an educator with Stage One.
Jessie Baxter is a Boston-based dramaturg specializing in new work and nerdery of all kinds. Her Company One credits include THE ELABORATE ENTRANCE OF CHAD DEITY, THE FLICK, THE CHRONICLES OF KALKI, BRAHMAN/I, and the XX PlayLab. She is also the Literary Director and Co-Founder of Fresh Ink Theatre, a small company specializing in new work by New England-based playwrights, where she has done developmental work on projects by Walt McGough, Patrick Gabridge, MJ Kaufman, and Emily Kaye Lazzaro, among others. Jessie earned a BA in Theatre Studies from Emerson College, and received the 2010 National Dramaturgy Award at the Kennedy Center American College Theatre Festival for her work on INCORRUPTIBLE by Michael Hollinger. She has previously worked at The Playwright's Center, The Eugene O'Neill Theatre Center, and The Denver Center Theatre Company, and is a proud member of the Literary Managers and Dramaturgs of America.
During her nearly eighteen years as an educator, she has had the privilege of working with students from many different backgrounds, and her convictions about the promotion of social justice, racial equality, literacy, and critical analysis have followed her throughout her working career. She has taught and tutored in both writing and literature on the collegiate, secondary, and middle school levels, acted as a writing consultant at both UNH and Wheelock College, and held the position of Academic Support Specialist for Graduate Students at Wheelock College. Also, she was the former Assistant Director and is a current board member of And Still We Rise Theater Company. As a dancer, she has performed at the Berklee Performance Center, The Dimock Center’s Annual Steppin’ Out, Lowell Auditorium, The Dance Complex, the Rhode Island Convention Center, and with Mary Driscoll as part of the Fort Point Theater Channel’s “Inter-Actions Performance Art” Festival 2015. Moving forward as both an educator and a playwright, she wants to bring the worlds of Language and Theatre Arts into a more cohesive and integrated structure, through the incorporation of literacy and analytical skills along with movement, dance, visual arts, music, and dialogue.
Kadahj Bennett is a Posse Alum and graduate of Hamilton College (B.F.A. in Acting with a focus on Theater for Social Justice). Recent teaching credits include The Boston Arts Academy, Boston Green Academy, and the Clarence R. Edwards Middle School. Recent acting credits include TYLER in the web series The Halls (produced by Beyond Measure Productions and the Boston Public Health Commission) as well as HANK in How We Got On (Company One Theater). Bennett is also a writer/street poet, front man of the Downbeat Keys and member of the HOME Association Boston.
Natasha is currently a student at Northeastern University where she is pursuing a B.A. in Theater Production and a minor in Graphic Design. She has been a member of Company One's ONERush team since 2015, and is excited to continue as College Coordinator. When not working, Natasha collects Broadway musical posters and watches too many network comedies. One of her many ambitions is to help make theater more accessible through design.
Ilana M. Brownstein
Ilana M Brownstein is a dramaturg and educator specializing in new plays, social justice, and public arts advocacy. She is the Director of New Work and a senior dramaturg with Company One Theatre; the Founding Dramaturg at Playwrights' Commons; and on faculty at the BU School of Theatre. Previously, she created the Playwriting Fellows program and Breaking Ground Festival at The Huntington, programs recently celebrated by a 2013 regional Tony Award. Productions with C1 include Jackie Sibblies Drury’s REALLY, Young Jean Lee's WE'RE GONNA DIE, Aditi Kapil's DISPLACED HINDU GODS TRILOGY and LOVE PERSON, The Tiger Lillies' SHOCKHEADED PETER, Natsu Onoda Power's ASTRO BOY AND THE GOD OF COMICS, Kirsten Greenidge’s SPLENDOR, Rajiv Joseph’s BENGAL TIGER AT THE BAGHDAD ZOO, Lauren Yee's HOOKMAN, and Lydia R. Diamond's VOYEURS DE VENUS. She produces the Company One PlayLab program, which has provided script and professional development to 39 playwrights since 2011. She holds an MFA in Dramaturgy (Yale), and a Directing BA (College of Wooster). Ilana is a Kilroys nominator for The List, is on the Advisory Board for HowlRound/A Center for The Theatre Commons, and is a two-time winner of the LMDA Elliott Hayes Award for excellence in dramaturgy (2008, 2014).
Sarah holds a B.A. in Technical Theatre (Stage Management) from The University of Vermont. She joined Company One as a stage manager in 2004 for A CLOCKWORK ORANGE, and continued her work with the company on 103 WITHIN THE VEIL, THE LAST DAYS OF JUDAS ISCARIOT, and AFTER ASHLEY. She joined the full-time staff as Production Manager in 2007, Production Supervisor in 2011, and HR Manager in 2014. Sarah began stage managing in 1996, and has additional experience in direction, performance, lighting design, and sound design. She currently works as the Vision Sciences Laboratory Manager in the Psychology Department at Harvard University.
Francisca Da Silveira
Francisca Da Silveira is a Playwright who graduated with honors from New York University’s Tisch School of the Arts in May 2014. She was born in Cape Verde and moved to Boston with her family at four years old. She studied abroad in London her junior year of college and the connection and love she developed for the city caused her to return for six months after graduating from NYU. Fran is greatly inspired and influenced by Anton Chekhov and Alan Bennett. Aside from writing plays, she also hopes to inspire youth to use creative outlets in order to spread knowledge and affect change. She is passionate about education and works as an AmeriCorps program associate at the Dearborn 6-12 STEM Academy.
Originally from Northern Virginia, Beverly discovered her love for Boston while receiving her BFA in Theatre Arts Performance and minor in Dance at Boston University, which she completed in 2016. Her recent artistic credits include acting in TC Squared's Playwright Salons, helping to bring new plays off the page, and performing on the steps of the Boston Public Library with Bridge Repertory Theater as part of "All the City's a Stage." She is passionate about supporting and creating new works and collaborative ensemble works. Beverly had the privilege of creating both for her senior thesis through acting in WET, a new play by fellow C1 member, Hayley Spivey, and through directing AXIS, an original, devised, collaborative movement theater and lighting design piece. Her other passions include learning and sharing fun facts with the unsuspecting and petting her dog, Bella Mia.
Pascale Florestal is a theater educator, director and choreographer. Born and raised in North Miami Beach, Florida she attended Ithaca College and graduated in 2013 with her BA in Drama. She is an alumni of the National Theater Institute from the Eugene O'Neil Theater in Waterford, Connecticut. After graduating Pascale spent a year working with City Year Miami as a Corps Member and Literacy Coordinator at Madison Middle School. Following the end of her Corps year, Pascale moved to Massachusetts where she directed The Little Mermaid Jr! at Stoneham Theater. She then worked at the Huntington Theatre Company as the Education Apprentice and became the Education and Community Associate at the end of her apprentice year. She was recently hired by Company One as their Education Program Manager. She has also worked with Citi Performing Arts Center with their Citi Spotlights Leadership Program as an assistant Acting Teaching Artist and Lead Acting Teaching Artist. She recently completed an internship at this summers American Alliance for Theater and Education Conference. She has also Assistant Directed SpeakEasy Stage Company's production of Appropriate and will be Assistant Directing their upcoming fall production of The Scottsboro Boys.
Haley Fluke is a director/dramaturg and recent transplant from Portland, Oregon. She is a graduate of the Advanced Directing program at the National Theatre Institute (Eugene O'Neill Theatre Center) and Portland State University. At NTI, Haley directed a production a week, including a dream-play adaptation of MISS JULIE by August Strindberg, and her original play SEX: AN ABSURD MUSICAL VARIETY SHOW! On the West Coast, Haley completed internships at Washington Ensemble Theatre, Our Shoes Are Red/The Performance Lab, and the Oregon Shakespeare Festival. She is also the Artistic Director of the Pied Piper Players, a troupe based on Lewis and Clark College campus that specializes in lightning-fast Shakespeare adaptations. Haley couldn't be more be more thrilled by New England's exciting new challenges, like leaves that change color and highways tolls.
Josh is a Somerville, MA native and recent Tufts University graduate. Recent directing credits include Boston Theater Marathon pieces for A.R.T. and Company One Theatre, Shotz Boston, and the Mad Dash (Fresh Ink/Interim Writers). Recent assistant directing credits include Annie Baker’s THE FLICK and the world premiere of Kirsten Greenidge’s SPLENDOR at Company One Theatre and THE LIGHT PRINCESS, PIRATES OF PENZANCE, and HANSEL AND GRETEL at A.R.T. Previously, Josh was the Literary Intern at A.R.T., where he line produced projects by Tommy Smith and Tony Speciale. At Tufts, he directed Tony Kushner’s TERMINATING, EAST COAST ODE TO HOWARD JARVIS, and ONLY WE WHO GUARD THE MYSTERY SHALL BE UNHAPPY as his senior thesis. Other Tufts directing credits include PIPPIN and Tennessee Williams’ THE CHALKY WHITE SUBSTANCE.
An Obie Award (MILK LIKE SUGAR) winning playwright, Kirsten has enjoyed working with Company One Theatre for the past decade. A native of Arlington, Massachusetts, Kirsten’s work has been seen at New Rep (BALTIMORE), Playwright’s Horizons, Women’s Theater Project, and La Jolla Playhouse (MILK LIKE SUGAR/Edgerton Award for New American Play; Lucille Lortel Nominee; AUDELCO Award Nominee), LUCK OF THE IRISH (Huntington Theater Company,LTC3), BOSSA NOVA (Yale Repertory Theatre/ Edgerton Award for New American Play; American Theater Critics Award Nominee), THE GIBSON GIRL and A MORE PERFECT UNION (Company One) and 103 WITHIN THE VEIL (Company One; IRNE Award for Best New Play). A former NEA/TCG playwright in residence at Woolly Mammoth, Kirsten has enjoyed development experiences at Sundance, Sundance at UCross, the O’Neil, and Bay Area Playwrights Festival. Kirsten was the inaugural fellowship for Page 73’s playwrighting fellowship program. Current projects include commissions from Company One, Yale Rep, The Goodman, La Jolla Playhouse, Oregon Shakespeare Festival and upcoming productions include HOW SOFT THE LINING at Bad Habit, BUD, NOT BUDDY at the Kennedy Center, and ZENITH at San Francisco Playhouse. Early in her career Kirsten was a recipient of the Lorraine Hansberry Award and the Mark David Cohen Award by the Kennedy Center’s American College Theater Festival. She attended Wesleyan University and The Playwrights Workshop at the University of Iowa. Kirsten is former a member of New Dramatists and Boston’s Rhombus writing group.
Susanna Jackson is a writer, editor, and marketing professional living in Jamaica Plain. Before signing on as Company One's Marketing and Communications Manager, she held posts at DigBoston, Museum of Fine Arts, The Rhode Island International Film Festival, and a handful of coffee shops. A graduate of Emerson College, her writing has appeared in the Boston Globe, Boston magazine, WBUR and Art New England.
Obehi Janice is an award-winning actress, writer, and comedian. The Improper Bostonian named her "Boston's Best Actress" in 2014. Her comedic short, BLACK GIRL YOGA, won the Reel 13/AfroPunk Film Competition. Her one-woman show, FUFU & OREOS, has played to sold-out houses and received critical acclaim. Her potent writing has been featured in Kinfolks: a journal of Black expression. She has garnered esteem and recognition from Bustle, For Harriet, WBUR, DigBoston, and The Boston Globe. She is the recipient of a Fox Foundation Resident Actor Fellowship through Theater Communications Group. Obehi is a graduate of Georgetown University. Upcoming: An Octoroon and We're Gonna Die (Company One Theatre). www.obehijanice.com
Shawn is a proud co-founder of Company One Theatre. Recent directorial credits include the regional premieres of Jackie Sibblies Drury’s REALLY; Young Jean Lee’s WE’RE GONNA DIE (The American Repertory Theatre /Company One Theatre); A. Rey Pamatmat's EDITH CAN SHOOT THINGS AND HIT THEM (Elliot Norton Award Nominee for Outstanding Director and Outstanding Production); Annie Baker's THE FLICK (Elliot Norton Award, Outstanding Production); the world premiere of Kirsten Greenidge's SPLENDOR (IRNE Award nominee, Best New Play); the Boston premieres of BENGAL TIGER AT THE BAGHDAD ZOO by Rajiv Joseph; THE ELABORATE ENTRANCE OF CHAD DEITY by Kristoffer Diaz (Elliot Norton Award for Outstanding Director and Outstanding Production); Annie Baker's THE ALIENS (Elliot Norton Award for Outstanding Director and Outstanding Production); the world premiere of GRIMM (IRNE Award nominee for Best New Play); the Boston premiere of THE OVERWHELMING by JT Rogers (Elliot Norton Award Nominee, Outstanding Production); the Boston premiere of Haruki Murakami’s AFTER THE QUAKE (Elliot Norton Award Nominee, Outstanding Production); Stephen Sondheim’s ASSASSINS (IRNE nomination for Best Director and Best Musical); and the Boston premiere of Noah Haidle’s MR. MARMALADE (Elliot Norton Award Nominee, Outstanding Director/Outstanding Drama). Shawn holds an MA Ed. in theatre Education from Clark University and an MFA in Directing from The University of Massachusetts, Amherst. He has taught at Emerson College, Boston Arts Academy, Huntington Theatre Company, Tufts University, Stage One and the University of Massachusetts, Amherst. Shawn is deeply grateful to the entire C1 family and especially grateful to his wife Jessica and his children Shiloh and Levi.
Karen is a communications professional and new play enthusiast from the South Shore of Massachusetts. She recently graduated cum laude from Villanova University, where she wrote her thesis on gender parity among produced playwrights. Equipped with a B.A., Honors in Communication, Karen has interned with Walnut Street Theatre and studied new media and journalism in Seville, Spain. She revels in the intersections between artistic performance and social justice, and is passionate about making the theatre a more inclusive place.
James Milord is a devoted thespian who was nominated in 2012 for “Best Actor” in his role as Ochoosi Size in the Brother/Sisters plays by the Independent Reviewers of New England. In the fall of 2012 James performed in Chicago for the premiere of Trajectories. He was recently seen in a physicalized staged reading entitled In Our Name by Michael Metzner produced by Company One and prior to that, another stage reading entitled Shoeshine Safari by John Adkeoje produced by the Huntington Theatre. In Jan 2012, Mr. Milord participated in the first ever Boston One Minute Play Festival at the Boston Playwright’s Theatre. In 2010, James was also seen in Commonwealth Shakespeare Company’s: American Voices presentation of The Emperor Jones, Company One’s productions of The Good Negro and debut of The Emancipation of Mandy and Miz Ellie. Mr. Milord was notably awarded the David Wheeler Award in Boston, MA for “Best Emerging Actor” in that same year. James appeared in both Boston’s 2008 and 2009 African American Theatre Festivals in Zooman & The Sign, Zora Neale Hurston’s Feathers on My Arm and Bess the Brave. Prior to those festivals, he participated in an educational tour and full production of Macbeth produced by Shakespeare Now! James has also appeared in the Company One productions of Clockwork Orange, 103 Within the Veil, Den of Thieves including the Boston premiers of Six Rounds Six Lessons and Gibson Girl. In 2006, James was nominated for an IRNE for Best Supporting Actor in his role as Hammond in 103 Within the Veil and also appeared as a principle in Episode 1 of Showtime’s debut series, The Brotherhood as Jamal Lynch. Mr. Milord currently teaches theatre in various schools and community centers across the Greater Boston Area. With great determination and passionate drive, James hopes to be a well-rounded artist and entrepreneur contributing to the growth of the arts in his hometown of Boston while steadfastly encouraging all others to chase their dreams.
Corianna Moffatt is a producer, dramaturg, actor, and collaborator with a penchant for new theatrical work. She is an MFA candidate in Theatre at Boston University and a co-producer for Bootown Boston's Grown-Up StoryTime (GUST) series at Aeronaut Brewing Co. Corianna recently completed a traveling interview project entitled Impossible Questions Tour, which explored how moments of crisis affect people’s personal philosophies on life, love, and loss. www.ImpossibleQuestionsTour.com
Lynn Mullin is a teaching artist originally from Minneapolis, Minnesota. She holds a bachelor's degree in Theatre Arts and English from the University of Minnesota, Morris, and a master's degree from Emerson's Theatre and Community track. In the classroom, she has applied art education techniques to explore a broad spectrum of subject matter, from environmental awareness with grades K-6 at UMM, to English literature with high school students in India through Artists Striving to End Poverty. She has most recently been a teaching artist with Citi Performing Arts Center and Stoneham Theatre. Outside of the classroom, Lynn has been building a drama program for older adults at a local residential facility as well as helping grow the Meraki Theatre Collective, an applied theatre organization that focuses on building empathy in greater Boston communities. Lynn is also active as a performer, director, and writer.
Anneke is so thrilled to be a Stage One Teaching Artist for Company One. A Medford native, Anneke is an educator, singer, actor and composer.
She teaches and directs at various schools and theater organizations in Boston, where she focuses on creating opportunities for arts integration into the humanities, devised theater, and contemporary living newspaper original works.
As an actor, recent credits include Bridge Rep's Julius Caesar, Apollinaire Theater's Blood Wedding, Imaginary Beasts' Lovers' Quarrels, and Artists' Theater of Boston's Drunk Enough to Say I Love You, Trojan Women: A Love Story and Much Ado About Nothing.
Anneke is also a member of Boston-based band Big Fuzzy, who just released their latest album.
She is a recent graduate of Brandeis University, where she studied Theatre Arts and American Studies.
Nivedita (Nina) Sarnath
Nina is the Administrative Assistant at Company One Theatre and a freelance violinist and teacher in the Boston area, where she plays with the Boston Modern Orchestra Project, Boston Lyric Opera, Symphony New Hampshire, and many others. She is an alumna of The Boston Conservatory and Harvard University, In her spare time, she enjoys reading, yoga, and cooking.
Sarah is a founding member of Company One. She holds a Masters of Public Administration (MPA) in Nonprofit Management from the Sawyer Business School at Suffolk University and a BA from Clark University. Sarah has worked for several non-profit agencies including AmeriCorps, New Jersey Community Water Watch, MassPIRG, and the President's Council on Sustainable Development under President Clinton. She also served as the Educational Team Leader for NJWW and has taught environmental education and the arts in the Camden, NJ and Worcester, MA school systems. She has received training and has extensive experience in Community Organizing, Private and Corporate Fund Raising, Internship Supervision, and Media Relations.
Hayley Spivey is a recent graduate of Boston University where she studied playwriting, dramaturgy, and acting. Her writing credits includes her full length play, Wet, which premiered at Boston University. Her ten minute play, The Decline of the Soviet Dildo, was recently presented with Anthem Theatre's Dare Project. Hayley started with Company One as their Assistant Dramaturg on The T Party. She is thankful to have worked on Revolt and is very much looking forward to the rest of the season.
Karthik joined Company One in the Spring of 2009 as an Assistant Stage Manager for THE EMANCIPATION OF MANDY AND MIZ ELLIE. Past credits have included THE ALIENS, NEIGHBORS, THE BOOK OF GRACE, 1001 (Asst. Production Manager), GRIMM (Production Assistant) & THE EMANCIPATION OF MANDY AND MIZ ELLIE (Asst. Stage Manager). Over the course of two seasons, he has moved on from being an Asst. Stage Manager to a Production Manager for Second Stage. Karthik also works as a lighting designer at the Dept. of Student Affairs at Northeastern University.
Summer L. Williams
Ms. Williams has been with Company One since its inception in 1998. An active member of the Board of Directors, Summer is a producer, director and educator for Company One. Her most recent directing credits include SHELTER OF LAST RESORT by Miranda Craigwell as a part of XX PlayLab 2014, the New England Premiere of Jackie Sibblies Drury’s WE ARE PROUD TO PRESENT A PRESENTATION ABOUT THE HERERO OF NAMIBIA, FORMERLY KNOWN AS SOUTHWEST AFRICA FROM THE GERMAN SUDWESTAFRIKA BETWEEN THE YEARS 1884-1915, Idris Goodwin's HOW WE GOT ON and Lynn Nottage’s BY THE WAY, MEET VERA STARK at the Lyric Stage Company of Boston. Regional credits: THE BROTHERS SIZE and MARCUS; OR THE SECRET OF SWEET as part of the THE BROTHER/SISTER PLAYS (2012 Elliot Norton Award nominated for Outstanding Production and winner of the 2012 IRNE Award for Best Play), NEIGHBORS, GRIMM, THE GOOD NEGRO, VOYEURS DE VENUS (Winner of 2009 Elliot Norton Award for Outstanding Director), THE BLUEST EYE (IRNE and Elliot Norton Award nominated), THE LAST DAYS OF JUDAS ISCARIOT, SPELL #7 (IRNE nominated), JESUS HOPPED THE A TRAIN (2004 Elliot Norton Award for Best Fringe Production) TWILIGHT: LOS ANGELES 1992 (IRNE nominated). Ms. Williams has also directed for the Boston Playwrights' Theatre, Clark University, Brandeis University, The Theatre Offensive and Huntington Theatre Company. She is a teacher of drama and director at Brookline High School and holds a BA in Theatre, as well as a MA Ed. in Theatre and Urban Education. Ms. Williams serves as a member of the Board of Directors of both Stage Source and The Coolidge Corner Theatre.
Georgia Young is a fundraiser, event organizer, writer, theatermaker, and musician. She has worked as education and community programs associate at the American Repertory Theater, was a literary fellow at Geva Theatre in Rochester, NY, and in 2011 received a KCACTF Fellowship to the O'Neill National Critics Institute. She holds an MA in theatre history and dramaturgy from Texas State University - San Marcos and a BS in journalism from Emerson College. Georgia plays in a noisy folk band, knits mostly-wearable items, programs with the Boston Underground Film Festival, and volunteers with Girls Rock! RI. Her favorite theatermaking experience so far has been leading an audience around Austin in BIKE NOIR, a devised play on two wheels.
- Sasha Abby VanDerzee
- Noe Montez
- Mason Sand
- Nicole Gilmore
- John ADEkoje
- Phyllis Bretholtz
- Elisa Choi
- Devin Hill
- Linda Nathan
- Rosalind Thomas-Clark
- William Tilton
- Michael Tow
Sasha Abby VanDerzee
Sasha has been involved with Company One since its beginning, but officially joined the staff and Board of Directors in 2000. She spent many years as the co-chair of the Annual Gala committee and Auction Chair. She is enrolled in Northeastern University's College of Professional Studies Doctorate in Education program, with a concentration on Organizational Leadership & Communication. With all of her classes completed, she is working on finishing her doctoral dissertation on Sense of Virtual Community and Work/Family Conflict.
Noe Montez has been a faculty member at Tufts University since 2011, joining the Department of Drama and Dance after serving as the Cleveland Play House's Dramaturg for two seasons. Professor Montez has recently signed a contract for his first monograph, which historicizes Argentina's post- dictatorship transitional justice policies through an exploration of the nation's theatre. He is currently launching the research that will inform a monograph-length exploration of theatricality within former detention centers across the Southern Cone. His publications include essays in Theatre Topics, Texas Theatre Journal, New England Theatre Journal, The Journal of Religion and Theatre, the edited collection Public Theatres and Theatre Publics, and Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions. Noe has presented his research for several organizations and conferences including: the American Society for Theatre Researchers, the Association for Theatre in Higher Education, the Hemispheric Institute of Politics and Performance, the Comparative Drama Conference, the Mid-America Theatre Conference, the Latino Theatre Commons, and Situating August Wilson in the Canon and the Curriculum Conference at Howard University. He is a member of the American Society for Theatre
Research Executive Committee and Conference Planner for the Association for Theatre in Higher Education's Latina/o Focus Group. Professor Montez is also a freelance actor and director who has directed or performed at Cleveland Public Theatre, Theatre Ninjas, Phoenix Theatre, Sleeping Weazel, Fifth Floor Collective, and the Bloomington Playwright's Project.
Mason is a proud founding member of Company One, where he has acted in over a dozen productions including: Bengal Tiger at the Baghdad Zoo (Uday); (Assassins (Sam Byck) (IRNE Award, Best Supporting Actor in a Musical); The Last Days of Judas Iscariot (El-Fayoumy); Den of Thieves (Flaco), Jesus Hopped the ÔAÕ Train (Valdez) (2004 Elliot Norton Award, for Best Fringe Production); Twilight: Los Angeles, 1992 (IRNE nomination, Best Ensemble Cast). Also in Boston: Sugan Theatre Company: Talking to Terrorists; Zeitgeist Stage: Flesh & Blood; A.R.T.: Three Sisters; New Repertory Theatre: Romeo & Juliet; A Girl's War (IRNE Nomination, Best Supporting Actor). Regional: Gloucester Stage Company: The Heidi Chronicles. Mason is an M.F.A. candidate in Theatre Education at Boston University.
Entrepreneur, Educator, Innovator. Nicole is leading Boston based startup - Savanna Technologies. Prior to joining Savanna, she worked as a strategy consultant and has extensive experience in the healthcare and finance industries. She has taught Economics at Harvard College and the United States Military Academy at WestPoint. Nicole is a contributing author to a book on personal finance and authored research on economic development in conflict environments. Nicole is a graduate of Tuskegee University and earned her MBA from the Kellogg Graduate School of Management at Northwestern University. She believes in the transformative power of theater and is excited to join the Company One board.
John Oluwole ADEkoje is a graduate of Humboldt State University with a MFA in dramatic writing and an MA in film production. He is national award winner of the Kennedy Center: ACTF-Lorraine Hansberry playwriting award for the play Streethawker as well as the 2006 Roxbury Film Festival's Award for Emerging local Filmmaker for the documentary Street Soldiers, which shown at Le Festival du Film Panafricain (Cannes) and Festival des Films du Monde (Montréal). He is currently the playwright-in-residence at Company One and an Affiliate Artist at the Providence Black Repertory Theatre. He teaches Theatre at Boston Arts Academy.
After almost thirty years of teaching English at Cambridge Rindge and Latin School, Phyllis left to begin her next career as both an educational consultant and a photographer. While there are many photography projects she has been involved in over these fourteen years, there are a few that have captured her major interest. The longest standing project is the documentation of the Antrim Street annual block party. For almost thirty years, she has set a goal of creating a strong visual record of all her neighbors, in portraits and family groups. This then led to taking portraits and neighborhood street scenes for the recently published From the Heart of Cambridge: The Longfellow Oral History Project (2011). Second in longevity is her documentation of the Boston Arts Academy. Since the school opened in August of 1998, she has been the visual archivist, capturing major events and creating idiosyncratic senior portraits. She has photographed weddings and bar mitzvah’s, events for the Cambridge Arts Council and the Cambridge Women’s Commission, a two and a half year record of the earliest construction of North Point in East Cambridge, and most recently, a project to document the City of Cambridge in all of the major squares and main streets from the spring of 2009 – December 2011. In addition, she has photographed special events like the Company One celebration of Lydia Diamond, created both theater and business professional head shots and is currently documenting a series of collaborations between a visiting artist and middle school teachers in the Cambridge public schools. She is a Commissioner on both the Cambridge Arts Council and the Cambridge Women’s Commission, is a member of the Board of Advocates of Boston Arts Academy, is involved in very local Cambridge politics and at least one international political project. However, her current abiding passions are her photography, with her camera virtually an extension of her being, and her commitment to the vitality of Company One as the most edgy, dynamic and socially responsible theater company in Boston.
Elisa Choi was Vice President for Company One's Board of Directors until March 2017. She is a core member of the Company One Board of Directors Leadership Team, for which she plays a major role in the oversight and decision-making for organizational strategic planning and Board development. She works as a physician, practicing in Internal Medicine, Infectious Disease, and HIV, with a particular interest in reducing disparities in care, and in providing clinically competent care that is sensitive to patients' gender, sexual orientation, ethnicity, and race. Dr. Choi has been an active member of the Asian Pacific Islander community for a number of years, and is on the Board of Directors of MAP for Health (Massachusetts Asian & Pacific Islanders for Health), a Massachusetts non-profit Asian/South Asian/Pacific Islander community-based organization that works for fairness, equality, and inclusion for these communities in health care planning, disease prevention, primary care access, and service delivery. She has remained committed to MAP for Health's Board for many years, and continues to be a Board officer, as a Board Chair Emeritus of this organization. Dr. Choi has also remained active in numerous other Asian American community organizations including the Korean-American Citizens League of New England, and the National Association of Asian American Professionals' Boston Chapter (NAAAP-Boston). Currently, Dr. Choi holds a position as a state appointed Commissioner of the Asian American Commission of the Commonwealth of MA, and is the Chairperson of this Commission. Dr. Choi is a passionate supporter of the arts, and has also been a long-standing patron of the Boston theater scene. She is a steadfast devotee of all Company One productions. Dr. Choi ardently supports the Company One mission to "change the face of Boston theatre", and feels proud and privileged to be a part of the Company One family.
Devin Hill is a Managing Director at JP Morgan Securities and formerly Bear Stearns where he has worked for almost 20 years. He has been a Back Bay resident for over 20 years where he currently resides with his 12 year old daughter. Devin has always had a passion for the arts and entertainment and has been involved in numerous Boston arts organizations. Most recently Devin served on the BalletRox Board of Directors, with a three year term as president. BalletRox is a non-profit dance company that produces the Urban Nutcracker and is involved with scholarship dance students and extensive school programs. He is an advisor to the Boston Tap Company and help them launch their organization. Devin has been a member of the Boston Ballet Young Partners Board. He is currently on the Alumni Board for his High School alma mater, the Middlesex School. He hold a BA in Economics from Arizona State University. His primary hobby is attending all the many wonderful events such as sports, art, music and theater in Boston.
Linda Nathan is the first Executive Director of the Center for Artistry and Scholarship (CAS). As the Executive Director of CAS, Linda is responsible for working with the CAS board to develop the non-profit’s strategy, goals and areas of focus. She oversees key programs, including the Creative Learning Schools Project, Perrone-Sizer Institute for Creative Leadership, which has a partnership with University of Massachusetts, Boston, and additional programs currently under development. Dr. Nathan works closely with the leadership of Conservatory Lab Charter School to support its development as a national model of CAS. Dr. Nathan has had extensive professional experience in education, as an adjunct lecturer at the Harvard Graduate School of Education and, most recently, she served as Faculty Director of the Creative Educational Leadership Institute at the Boston University School of Education. Prior positions include Special Advisor to Superintendent of Boston Public Schools, Founder and Executive Director of the Center for Arts in Education and Founding Headmaster of the Boston Arts Academy, Boston’s first public high school for the visual and performing arts. Linda was also the Co-Director of Fenway High School, one of the first pilot schools in the Boston Public Schools. Dr. Nathan has also founded two not for profit organizations: El Pueblo Nuevo that focused on arts and youth development and Center for Collaborative Education that works on issues of school reform. She also serves on numerous not-for-profit boards both locally and nationally. For over a decade, Dr. Nathan has taught a course at the Harvard Graduate School of Education titled “Building Democratic Schools.” She has written a widely-praised book about teaching and leadership in urban schools, “The Hardest Questions Aren’t on the Test,” which was also published in Spanish. She consults nationally and internationally on issues of educational reform, leadership, teaching and arts. She blogs about these issues at www.lindanathan.com
Linda holds a Doctor of Education degree from Harvard University, Masters’ degrees from Emerson College and Antioch University and a BA from the University of California.
Rosalind Thomas-Clark received her undergraduate degree in London, and her masters from Brown University, where she taught and directed theatre. Working with BAA alumni, Ms. Thomas-Clark is artistic Director of TC Squared, committed to theatre for social change. She has always worked professionally as an actor and director for stage, radio, and film, but her passion has been the development of arts and educational theatre, in the UK, New Zealand and the USA. A founding faculty member of the Boston Arts Academy, and Chair of Theatre, she was the recipient of a SURDNA Arts Teacher's Fellowship to study with Augusto Boal in Brazil. She traveled with ten BAA students to perform at the Edinburgh International Fringe Festival, and was named Boston's Teacher of the Year. She is on the faculty for the summer program London Cultural Connections. She is invested in the proposal to open BAA's own Middle School where younger students will have quality access to the arts in their everyday lives. She is a Board member for Company One and the Boston Arts Academy, and works with corporate employee groups and individuals as a Personal Communication Consultant.
Will Tilton joined the board of Company One in 2010. He is a graduate of the Arts and Business Council’s “Business on Board” program. Professionally, Will is Group Vice President of Due Diligence and Integration for Shire, a leading biotech company developing innovative therapies for rare and specialty conditions. He has been deeply involved with product strategy, development, technical operations and execution of life cycle initiatives for Shire. Will holds a MBA and Masters in Finance from The Wharton School and also a B.S. in Chemical Engineering from Michigan State University. Originally from Michigan, Will has settled into Boston after living in various locations throughout the United States. His interest for the arts grew through his musical training and as well as his wife Jamie Picardy’s participation in the Grand Rapids Ballet Company.
Michael Tow is a Certified Financial Planner with over 15 years experience in the Financial Services Industry. After working many years as an Account Vice President at UBS, Michael opened his own boutique firm New Boston Financial in 2005. Michael demonstrates his belief in giving back to the community through his involvement in a variety of organizations. He is the President of the Board of the Asian Community Development Corporation (ACDC), a member of the board of the Massachusetts Workforce Investment Board, a member of the board of the Governor's commission on Asian American affairs, on the advisory committee of the Asian American Civic Association, on the advisory committee of the Massachusetts Asian American Commission and the past President of the Friends of the Needham Elderly.
- Barry Andelman
- Salma Abu Ayyash
- Heidi Brooks
- Mary Chin
- Lydia R. Diamond
- Jamal Gathers
- Thomas Henry
- Chobee Hoy
- Vinca Jarrett
- Victoria Marsh
- James Milord
- Carlos PiSierra
- Lois Roach
- Alex Rogers-Pittman
- Lisa Simmons
- Kirk Sykes
- Giselle Ty
Barry is an active member of the theatre scene in Boston, seeing between 150-200 theatre performances a year. He is a Founding Member of Boston Theatre Works. He has worked for many years developing relationships with theatre companies in the area for complimentary ticket giveaways for non-profits like AIDS Action Committee and has also worked to bring school-aged children to see live theatrical performances. When he lived in Japan for 5 years, he became very involved with NOH Drama, and he has amassed a library of over 100 translations of NOH Drama, one of the largest individual collections in the world.
Salma Abu Ayyash
Salma is a Palestinian American, born in Jordan, who came to the US to further her education and ended up staying and making a new home for herself in Cambridge MA. She's an electrical engineer by training, a social justice activist by disposition (and necessity), and an educator at the Learning Incubator at the School of Engineering at Harvard University. Salma is passionate about collective liberation and is always inspired by and searching for ways to integrate the arts with activism. She is a founding member of the Center for Arabic Culture where she served on their board of directors as secretary for two years, and a founding member and former curator and PR representative of the Boston Palestine Film Festival for five years, and a past board member and clerk for Company One's board of directors. She’s also on the advisory board of Women in Film & Video New England. Salma was a host on Truth and Justice Radio, a live program on WZBC Newton. Salma is also an actor; she discovered that latent passion by chance at a mature age. She has been in several indie films and local theatre productions, most importantly BENGAL TIGER AT THE BAGHDAD ZOO with Company One, and SCORCHED with The Theatre Project in Maine. But what she loves most is being Giacomo’s mother.
Heidi Brooks is the Chief Operating Officer at the Schott Foundation for Public Education. Prior to joining the Schott Foundation, Heidi was an SVP and Director of Charitable Giving at Citizens Financial Group where she headed the Citizens Charitable Foundation, and worked with senior executives to determine and execute strategy for Citizens’ community outreach efforts in our 12-state footprint. Brooks previously spent several years as Director of Community Relations for John Hancock Financial, a subsidiary of Toronto-based Manulife Financial, and doing consulting and business development at The Bridgespan Group, a nonprofit strategy consultancy. Prior to business school, Brooks worked in Africa, Asia, and Latin America managing, designing, and auditing development programs for Africare, Catholic Relief Services, the International Finance Corporation, the Asian Development Bank and others in the field of international development. She has worked in 15 countries and traveled to 78. Brooks holds a B.A. in Government and International Studies from the University of South Carolina, an M.A. in International Affairs from the Johns Hopkins School of Advanced International Studies, and an M.B.A. from Harvard Business School. Fluent in French and Spanish, conversant in Vietnamese, she is an award-winning salsa dancer, and loves skiing, scuba diving, biking to work and singing Vietnamese folk songs. She loves spending time with her wonderful husband and two energetic little girls.
Mary Chin has been the Director of Social work at the Boston Medical Center for over 20 years. She is currently the President of the Board of Directors of the Asian American Civic Association (AACA), an organization that focuses on workforce development to help immigrants achieve self-sufficiency. Mary has volunteered for AACA for nearly 30 years. Mary is also a member of the Board of Directors of Action for Boston Community Development (ABCD). She is also a member of ABCD’s Health Services Committee and the Employment and Training Committee. Mary has been Vice-Chair of the Massachusetts Board of Registration for Social Work for over 4 years. She is also a member of the Advisory Board of the South End Neighborhood Action Program. In the past, Mary served as member of the Board of Directors for the American Cancer Society, for the Literacy Volunteers of America, and for the National Association of Social Work. Mary has helped many organizations in accomplishing their missions through her leadership and dedication.
Lydia R. Diamond
Lydia R. Diamond's plays include: Stick Fly (produced by Alicia Keys under the direction of Kenny Leon, will open on Broadway at the Cort theatre on November 18, 2011; '10 Irne Award - Best Play, '10 LA Critics Circle Awards, '10 LA Garland Award - Playwriting, '08 Susan S. Blackburn Finalist, '06 Black Theatre Alliance Award - Best Play), Voyeurs de Venus ('06 Joseph Jefferson Award - Best New Work, '06 BTAA - Best Writing), The Bluest Eye ('06 Black Arts Alliance Image Award - Best New Play, '08 American Alliance for Theatre and Education Distinguished Play Award), The Gift Horse ('05 Theadore Ward Prize, Kesselring Prize 2nd Place), Harriet Jacobs, Stage Black, and Lizzie Stranton (2008 Boston University Playwriting Initiative Commision). Theatres include: Arena Stage, Chicago Dramatists, Company One, Congo Square, Everyman Theatre Company, Goodman Theatre, Hartford Stage, Huntington Theatre Co., Jubilee Theatre, Kansas City Rep, L.A. Theatre Works, Long Wharf, Lorraine Hansberry Theatre, McCarter Theatre Co., Mo'Olelo Theatre Co., MPAACT, New Vic, Playmakers Rep, Plowshares Theatre Co., Providence Black Rep, Steppenwolf, TrueColors, The Matrix, Underground Railway Theatre, Actors Theatre of Louisville, and The Contemporary American Theatre Festival. Lydia's plays have been produced at Universities around the country including: Duke University, Howard University, Emerson College, Boston University, Northwestern University, University of Wisconsin, Columbia College Chicago, Spelman College, University of California - San Marcos, and University of Maryland. Lydia has been commissioned by: Steppenwolf, McCarter, Huntington, Actor's Theatre of Louisville/Victory Gardens, Humana, Boston University, and The Roundabout. Stick Fly and Harriet Jacobs are published by NU Press, Bluest Eye, Gift Horse, Stage Black - Dramatic Publishing. Lydia was a 2007 TCG/NEA Playwright in Residence at Steppenwolf, an 06/07 Huntington Playwright Fellow, 2009 NEA/Arena Stage New Play Development Grant Finalist, is a TCG Executive Board Member, a Resident Playwright at Chicago Dramatists, an Honorary Doctorate of Arts Recipient from Pine Manor College, and a recent recipient of the Huntington Theatre's 2011 Wimbley Award.
For six years Jamal was the Director of Purchasing & Inventory Control at Be Our Guest, the party rental company that has been the long-time major sponsor of the Company One Theatre Gala. He is also a Real Estate Agent in Boston, and an active member of the Roxbury Community. Jamal is a huge theatre supporter, as well as a lover of opera and classical music, and is committed to C1’s mission: “Company One has put forth such provocative productions that have made me, time and time again, question the status quo, and what is going on in our society.” Jamal also understands the importance of using theatre to articulate a community’s key social issues. His goal is to “bring the issues that are portrayed on stage back to the community for recognition and discussion,” and to use C1’s Community Engagement Committee as a means for further building C1’s relationships in communities of color.
Thomas is an investment professional with Palladin Consumer Retail Partners, a consumer-focused private equity firm in Boston, and is currently a member of the Company One Finance Committee. Thomas has a performing arts background as a classically-trained vocalist and has been an active member of the Greater Boston community since moving from Los Angeles in early 2015. In addition to Company One, Thomas has been actively involved with the Social Innovation Forum, an accelerator program that helps innovative nonprofit organizations and social impact businesses gain visibility, expand their networks, and build capacity in order to secure next-stage funding. As a member of the non-profit evaluation committee, he was one of only a handful of industry professionals tasked with interviewing and evaluating potential organizations for the 2016 nonprofit cohort, and as an impact investing mentor, he was one of several mentors charged with guiding six social impact startup companies through a 12-week incubator program that culminated in a series of fundraising pitches and presentations. Additionally, Thomas is a member of the Private Equity Association of Boston and volunteers with YouthVenture, a United Way-funded youth entrepreneurship program that provides startup capital and consulting to youth-led ventures aimed at addressing social and economic issues in local communities.
Chobee started Chobee Hoy Associates Real Estate Inc. in 1990. Chobee loves what she does and encourages others to do the same. Chobee adores her clients and sees herself as a problem solver. Her clients will come to her with a challenge and she will go that extra mile to find a home that fits their needs and budget. Chobee currently manages over 20 real estate agents and her leadership has allowed her company to become one of the most successful agencies in the Brookline area. Chobee’s triumphs have been quoted in many popular Boston publications; the Boston Globe, Boston Magazine and the Boston Business Journal; as well as national publications, such as Forbes, Frontdoor, Moving and the New York House Magazine. Chobee has thorough knowledge of the real estate market, especially the Brookline market. Chobee’s knowledge and admiration of Brookline has not only brought her success, it’s also inspired her to become a community advocate. Chobee volunteers with many local non-profit organizations. She enjoys participating in fundraising events and is on the Boards of the Brookline Arts Center and the Coolidge Corner Theatre. She is also active in the Massachusetts Democratic Party. Chobee was raised in Charleston, West Virginia and she currently resides in Brookline, MA.
Vinca L. Jarrett, Esq. is an entertainment lawyer and president of FilmPro Finance, a financial consulting service for investors and producers funding one-off films and building film slates. She has worked on slate financing deals with banks including CIBC, West LB, Bank of America, Merrill Lynch and ICB. Her top tiered clients have included Cosmic Entertainment, APG, Icon, and Focus Films. Filmpro has served as the holding company for financing distribution of films that include DIE HARD 4, THE DAY THE EARTH STOOD STILL, and ALIENS VS. PREDATORS. Film projects as counsel and/or finance consultant have included PEACE, LOVE AND MISUNDERSTANDING (directed by Bruce Beresford starring Jane Fonda, Catherine Keneer & Elizabeth Olsen) which premiered at Toronto International Film Festival in 2011; THE PERFECT GAME (directed by William Dear, starring Clifton Collins Jr., Cheech Marin & Moises Arias) released theatrically in April 2010, THE FOURTH KIND (starring Milla Jovovich & Will Patton) which released in Fall 2009 and surpassed $50M in worldwide profits; THE CAVERN, released by Sony Pictures in 2006; and THE STRANGLER’S WIFE, a Roger Corman film distributed worldwide in 2003. She has also been involved in numerous documentaries including FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY a film by Brad Bernstein, which premiered at the Toronto International Film Festival in September, 2012; WITCH HUNT, narrated by Sean Penn which premiered at the 2008 Toronto International Film Festival and aired on NBC in 2009; THE SURGE by Deborah Scranton shown on PBS’s Frontline in 2008; and TOUCHING THE GAME: CAPE COD which aired on the WB in 2004/2005. Vinca is an Associate Producer of the Off-Broadway Play 5 LESBIANS EATING A QUICHE currently running at the Soho Playhouse and produced by Tony Award Winning client John Pinckard (Clyborne Park, American Idiot, Hair). She also represents Golden Horde Entertainment whose Off-Broadway hit FREUD’S LAST SESSION has recently opened in Los Angeles starring Judd Hirsch and Tom Cavanagh. Vinca is counsel to the leading U.S. arthouse cinema, the COOLIDGE CORNER THEATRE FOUNDATION. She has represented several tax credit jurisdictions including Puerto Rico, Louisiana and Arizona, and helped to create the first film tax credit in Massachusetts. Vinca moderated two TV panels at Cannes for Bloomberg TV in 2012, one on bank financing with bankers from National Bank of California, 120db, Coutts and National Bank of Canada, the other on the feature Lawless with its Executive Producers Cassian Elwes and Rob Barnum; has been interviewed on NPR’s All Things Considered (2011) on the economic relevance of film tax credits; and appeared on Fox Business News (2010) on issues of studio financing, as well as been featured in several film industry periodicals. Vinca has co-chaired the prestigious BLOOMBERG INTERNATIONAL FILM & TV FINANCE SUMMIT held biannually in LA and NY since 2003. She speaks around the world on film finance addressing investors, financiers and industry professionals, and has appeared as a key note speaker at Cannes, Berlinale, Toronto, and Turks & Caicos, as well as at Harvard University, MIT, Boston University, Emerson, Boston College, UCLA, NYU and NY Film Academy. She is currently the co-creator and co-host of SHOW ME THE F#©K!NG MONEY: HOW TO INVEST, RAISE AND RECOUP MONEY IN THE FILM INDUSTRY which is based on her book of the same title. Vinca is on the Board of Directors of Interlock Media, a documentary film non-profit organization, and a Board Member of Company One and a co-chair of the annual gala committee.. She has been Chairperson of the Arts & Entertainment Committee of the Boston Bar Association, served as Board Chair of ImprovBoston, and been a Board of Advisor to the Golden Trailer Awards. A native New Yorker, whose extended family is based in Los Angeles, she currently resides in Boston, Massachusetts. Please see www.filmprofinance.com and www.vincajarrett.com for more information.
Victoria Marsh has worked closely with Boston area playwrights on new play development throughout her career as a director. Productions include the THE EMANCIPATION OF MANDY AND MIZ ELLIE by Lois Roach (Company One), THE GIBSON GIRL by Kirsten Greenidge (Company One), AT THE READY by Kirsten Greenidge (Company One for the Boston Theatre Marathon), BREAK-IT-DOWN by John ADEkoje (Company One for the Boston Theatre Marathon), SAILING DOWN THE AMAZON by Rosanna Yamigiwa Alfaro (Boston Playwrights Theatre), HAIKU by Kate Snodgrass (Boston Playwrights Theatre), 103 WITHIN THE VEIL by Kirsten Greenidge (Company One), LOST CITY by Conrad Bishop and Elizabeth Fuller (Company One), TWILIGHT: LOS ANGELES 1992 by Anna Deavere Smith (Company One), RASH ACTS by Conrad Bishop and Elizabeth Fuller (Company One), BOBBY PINS UP OUR NOSE by Judy Tso and Christina Chan, and UNBINDING OUR LIVES (Asian American Theatre Project). Marsh led new development workshops of THE GLIDER by Kate Snodgrass for the Women on Top Theater Festival, WHITE ASHES by Barbara Blatner for the Playwrights Platform Festival of New Plays, and Rosanna Yamagiwa Alfaro's COWBOY SAMURAI for New Theater, Inc. As the managing director of New Theatre, Inc. Marsh produced three NeWorks festivals, featuring Boston writers. Victoria is a Programming Coordinator for WGBH Television. She is an Honorary Board Member of TC Squared Theartre Company, producers of staged readings of new work by Boston Arts Academy alumni.
James Milord is an entrepreneur, community activist, and actor. He is co-owner of Trinity Concepts & Designs, a boutique event planning and management company, and currently works as a Stage One Teacher for Company One in schools across Boston. James has strong community ties in the Boston area and works alongside various non-profit organizations that are dedicated to empowerment and community development. As an actor, he will be making his debut with Lyric Stage in spring 2017 and was recently seen in AKEELAH AND THE BEE (Wheelock Family Theatre). Other theatre credits include CLYBOURNE PARK (Longwood Players Club), SPLENDOR, BROTHERS SIZE, THE GOOD NEGRO, DEN OF THIEVES, THE EMANCIPATION OF MANDY AND MIZ ELLIE, 103 WITHIN THE VEIL, and CLOCKWORK ORANGE (Company One), ZOOMAN AND THE SIGN, FEATHERS ON MY ARM (Our Place Theatre), and MACBETH (Shakespeare Now). He was honored to receive the David Wheeler Award for Best Emerging Actor in 2010. Film credits include THE BROTHERHOOD (Showtime) and a handful of industrial commercials. Mr. Milord is proud to be a member of the Company One family.
Mr. PiSierra became interested in theater while attending college, where he had a non-singing role in Bertolt Brecht's The Threepenny Opera. Born and raised in Manhattan, he was able to take advantage of the theater scene and enjoyed regularly attending shows while living there. Carlos became affiliated with Company One in 2007, after completing "Business on Board," a program developed to pair business executives with local non-profit art organizations. After a brief observorship period, he was elected to join the Company One Board of Directors in September 2008, on which he served as a Board member and Board Treasurer, until June 2014, when he transitioned to serve on the Company One Theatre Advisory Board. Mr. PiSierra is currently Senior Vice President and CFO for the Advisory Services division of Fidelity Investments, where he has worked for 20 years in various senior finance positions, including CFO of Fidelity Family Office Services. He holds a Bachelor of Arts degree in Philosophy from the College of the Holy Cross, and a Masters in Business Administration in Finance from Fordham University. Carlos lives in Charlestown, Massachusetts with his wife Cathy, and has two children attending college in NYC.
Lois Roach most recently directed the Providence, RI premiere of "Treemonisha," by Scott Joplin for Opera Providence. In recent years, she directed the world premiere of "A House With No Walls," at the New Repertory Theater in Watertown, the world premiere of "Six Rounds, Six Lessons" with Company One at the Boston Center for the Arts, as well as the Boston premieres of "Crowns," and "Living Out" at the Lyric Stage Company of Boston. An award-winning producer and director, she was commissioned to write and direct a performance piece for the 25th anniversary of Casa Myrna Vazquez, a shelter for battered women, which featured actress Phylicia Rashad. In Derry, Northern Ireland, she worked with a group of artists on the theater project, "Borderlands," which brought together women from the Catholic, Protestant and Southern communities. Lois also teaches at Wellesley College, works with First Night and coordinates the Stony Brook Initiative at Northeastern University.
Alex Rogers Pittman is an institutional giving specialist with 15 years of experience in the Greater Boston philanthropic community as both a grant maker and grant writer. Her primary areas of expertise are the arts, youth development and education. Prior to launching her own business, Alex was a member of the development team at Raw Art Works, a national-recognized youth art center in downtown Lynn. From 1999 to 2005 she worked for the Massachusetts Cultural Council, where she oversaw the YouthReach Initiative, a grant program that supports arts, humanities and science programs for under-served youth throughout the Commonwealth. Alex has reviewed grants for the President's Committee on the Arts and the Humanities and the Colorado Council on the Arts. She served as Chair of both the Standing Committee (the board of directors) and Nominating Committee for the First Church in Boston, Unitarian Universalist.
Ms. Simmons is the founder and president of, The Color of Film Collaborative, Inc. (TCOF), an organization of actors, producers, directors and others with an interest in creating and supporting positive images of people of color in film, theater, and other media. The Color of Film Collaborative co-produces the Roxbury Film Festival, a festival that celebrates the vision and the voice of independent filmmakers of color. Ms. Simmons has been producing independent film and theater in the Boston area for over 10 years and serves on the Board the Massachusetts Production Coalition, and The League of Women for Community Service, is an Advisory Member of Press Pass TV and Company One and is a founding member of The Alliance for Independent Motion Media. Ms. Simmons has received an Image Award from Women in Film New England, the Diversity award from Our Place Theater Project and a leadership award from the Urban League Guild of Eastern Massachusetts. Currently Ms. Simmons spends her time behind the camera producing, mentoring and creating more and better opportunities for filmmakers of color. In addition to supporting and producing filmmakers' work, Ms. Simmons is also an independent producer and is currently producing and writing a documentary on the history of Boston's Black theatre during the WPA. In addition to her filmmaking and theater activities, Ms. Simmons serves as the Communications Director for the State Office of Travel and Tourism.
Mr. Sykes is the head of an urban investment, development and redevelopment fund for select institutional investors called Urban Strategy America Fund, L.P. The Fund is a true “triple bottom-line fund” focusing on investment returns, economic development and environmental sustainability. The fund offers investors an opportunity to transform urban and economic development areas in their states, regions and cities while achieving an attractive return on their investment by prioritizing diversity in the asset types and locations in order to maximize returns. Mr. Sykes is responsible for the supervision of the partnership equity placement, the identification of investments and the day-to-day business operations of the USA Fund. Kirk Sykes combines his professional training and hands-on experience in the areas of development, design and construction to create customized responses to the complex issues of urban real estate development. His approach is grounded in the bottom-line driven perspective gained during his tenure as a member of Board of The Federal Reserve Bank of Boston, Fleet Bank and BankBoston’s Community Bank Advisory Boards and various other for-profit and non-profit board affiliations. His combination of business and community-based experience allow him to bridge the competing concerns that sometimes block urban projects from moving forward. Mr. Sykes currently serves on the Boards of; Initiative for a Competitive Inner City, Urban Land Institute’s Responsible Property Investing Council (Vice-Chair), Real Estate Executive Council (Chairman), National Association of Industrial and Office Properties and The City of Boston’s Civic Design Committee. He is the former Chairman of The Federal Reserve Bank of Boston Board. Mr. Sykes has been a speaker at Harvard University Business School & Kennedy School of Government, University of Pennsylvania Wharton School of Business, MIT Sloan School of Management and Center for Real Estate, Cornell University Real Estate Program and The League of Historical Cities of the World Conferences in Japan, Turkey and Australia. Mr. Sykes attended the Harvard University Business School, Owners and Presidents Management Program, the MIT Center for Real Estate Development Commercial Development Executive Program and the L’Ecole Polytechnique in Paris, France. He earned his Bachelor of Architecture from Cornell University.
Giselle Ty is a freelance stage director who lives between Boston and New York. Prior to joining the advisory board, she worked with C1 as a performer and as a member of the season planning committee. Consistently engaged in everything from opera to interdisciplinary collaborations to new play development, she has directed projects for the Peabody Essex Museum, Juventas New Music Ensemble, Opera Hub, Opera Brittenica, the Broken Consort, NEMPAC, Harvard University, Harvard Early Music Society, Boston University's M.F.A. Playwriting Program, and the Boston Playwrights' Theatre, among others, and has worked on the directing staff for Gotham Chamber Opera, Opera Boston, American Repertory Theatre, A.R.T./M.X.A.T. Institute for Advanced Theatre Training, and the M.I.T. Media Lab. An alumna of Northwestern University and a member of the Chicago Directors' Lab, she has trained at various workshops and programs with the SITI Company at Skidmore College, Harvard University, and L'Ecole Internationale de Theatre Jacques LeCoq in Paris. Having studied classical trumpet and art history in college, she takes a multidisciplinary approach to her work and is most interested in the abstract, dark, whimsical, magical, poetic ways that theater can find expression. Whether working with intimate plays, movement-based pieces, or grand opera, she is committed to making theater that is aesthetically visceral, intellectually challenging, and emotionally unafraid. Born to a family with Chinese and Spanish roots, she was raised in a Catholic/Buddhist household that was home to several languages, generations, and points-of-view. She has lived in the Philippines, the United States, and France, and hopes to make and support art that thrives at the dynamic cultural and aesthetic intersections that invite audiences to find new ways to engage the world around them.